The Express Tribune

The excitement and hype created by "Humsafar" still hasn't ebbed despite the fact that the last episode aired a couple of months ago. What got us all Humsafar-ing was the beauty of the script, the flawless performances, the impeccable storyline and the mesmerising star power. Can any other Pakistani drama compete with the hype that "Humsafar" created? I think "Bilqees Kaur" is a drama serial that has the ability to match the bar set by "Humsafar". Let's analyse! Bilqees Kaur is actually the name of the woman played by Bushra Ansari. This drama also stars Syra Yousuf, Ahsan Khan, Sadia Imam, Saleem Sheikh and others. "Bilqees Kaur" is a drama about a Sikh woman who has run away from home with a Muslim man, Iqbal Bhatti ─ played by Khalid Ahmed - and has settled in America. She has four rebellious children who are Punjabi Americans, and two daughters-in-law who she isn't a huge fan of. The TV serial features the ever-so-stylish and talented Bushra Ansari as Bilqees Kaur, nicknamed Billo. She has been brilliant throughout her career. Bushra Ansari always encapsulates the essence of the character whenever she performs, be it in the drama"Bijlee", or "Dolly Ki Aye Gi Baraat". When Ansari performs, she performs effortlessly and almost seems to forget herself, so immersed is she in the character she is playing. [[http://www.youtube.com/watch?v=kwuuP5xftx8]] I must commend Ansari on her fluent and thick Punjabi accent. I think she could fool anyone in to thinking that she is really a Sikh from Punjab, such is her skill. The modern Ansari who appears on talk shows is well groomed and cultured while Bilqees Kaur is a tough and simple woman, who eventually admits her mistakes and regrets what she has done in her past. She is a very dominating mother who is not comfortable with her children doing things the way they want to. Her ego overshadows everyone else's decisions at home as she goes by the "my house, my rules" principle. An interesting twist to the tale is that in spite of her attempts to keep her children under control, her daughter runs away with a boy just as she did many years ago. Sadia Imam (Peno), on the other hand, is shown to be a suppressed character who is pressured by her dominating mother-in-law, Bilqees. She once used to be a girl with dreams and hopes but is now a silenced woman with shattered ambitions. Her husband does not support her at all and she is just living her life as it comes without any expectations. From the beginning of her career, Imam has been an skilled actress. Her fans have not seen her on TV a lot lately and are, no doubt, enjoying her on screen performance. Syra Yousuf (Soha) and Ahsan Khan (Sultan) play the roles of the daughter-in-law and son of Bilqees respectively. The sour mother-in-law is seen giving Soha a hard time. Soha has shifted from Pakistan to America with her husband and is having trouble adapting to the unexpected environment of his disorganised home. While Syra and Ahsan look good as a couple, they have failed to produce satisfactory on-screen chemistry. Well, I guess the bar was set high with Ashar and Khirad - still, they just don't gel as a couple. All in all, "Bilqees Kaur" is a lively and entertaining drama. Where serials based on romance typically dominate the Pakistani drama scene, this one sets itself apart by showing viewers a much more realistic side of life; a working mother who is using the stick approach to prevent her children from making the same mistakes as she did. I believe that it is a good blend for a TV screen hit. I am excitedly looking forward to see how this series unfolds. I’m sure it will be shocking and I'm hoping that the aspect of reality of the drama will be maintained. Read more by Kinza here.

In September last year, I took up the challenge of making a list of 65 reasons why I love Pakistan—the poor, broken country I and everyone else I know takes for granted. The idea was simple, but its execution, not so much. Which is why it’s taken me all these months to come up with the third set in the series. With 26 reasons down, I now plan to complete the list in a number of quick and regular posts by August 14, 2012—Pakistan’s 65th Birthday. So, here goes, again. 16. Thanda Pakola Inspiringly green with a distinctively refreshing taste and smell, this purely Pakistani pop drink is perhaps one of the most prominent brands to come out of our country, ever. For the past 62 years, dil definitely bol raha hai… Pakola (My heart definitely says, "Pakola"). 17. Mithai If you’re going to say you don’t light up at the sight of a pristine box of chum-chums and gulab-jamans that softly call on you to come closer and have just one (more!), then I’m sorry; you need to work on your Pakistaniat. 18. All those Guinness World Records I have to admit I couldn’t find the exact number of world records Pakistan has held since 1955 when the annual reference book first started coming out. However, a little Googling confirms Pakistan’s top notch status as one of the most competitive countries in the world. Whether it’s for standing tall (literally) or shooting down five fighter jets in less than a minute; throwing balls that travel faster than your average Rawalpindi Express or simply squeezing 19 girlies into a two-door smart car; you name it; we’re on top of it! 19. The mangoes Although I personally fall in the category of those oh-so-famously denigrated by Ghalib, I can’t deny the fact that our Langras, Sindhris and Chaunsas are, without a shred of doubt, the kings of fruit everywhere! 20. Sufi culture Sufism has played sitar with our veins right from its introduction in the subcontinent in the 8th century. The magnanimous contribution of mystical Sufi saints in conveying the message of peace, love and divinity through their philosophical teachings and excerpts of poetry of wondrous depth is virtually irrefutable. Pakistan was lucky enough to inherit the shrines of some of the most prominent Sufi giants of the region, and their resting places continue to draw disciples in the thousands, providing them with food, shelter, peace, and most importantly, inspiration—something this world fails to offer. 21. The Moin Akhtar, Bushra Ansari, Anwar Maqsood trio I think this one’s pretty self-explanatory and any attempt to explain or justify the troika’s significance for Pakistan would only be able to serve feebly. 22. Sunday Bazaar Sunday Bazar has practically got something for everybody and boy, is it addictive! You can come here for the dime-a-dozen books, cheap stationery, imported china and kitchenware, or simply enjoy browsing the “one man’s trash is another man’s treasure” section after raiding the “I can’t believe I found a barely-used designer shoe in my size for Rs500!” section. 23. Saddar in Karachi Speaking of good bazaars, Saddar in Karachi has got to be the one stop solution for all your needs—literally! Whether it’s pets or fruit, prosthetic surgeons, orthodontists or stolen televisions and imitation cosmetics; if you want it, Saddar’s got it; and at implausibly decent prices too! I’m sure the legendary Bara markets in Rawalpindi are Peshawar are equally accommodating to their visitors. 24. Mehdi Hassan A few weeks ago, the man who was best known for capturing hearts as he sang his own out, passed away after spending years running in and out of hospitals for various ailments. We’ll never really be able to recover from the loss. Mehdi Hassan debuted on Radio Pakistan in 1957, and spent the next fifty years building a reputation as the unassailable king of ghazals. He finally made a grand exit by recording his last ghazal with living legend Lata Mangeshkar in 2010. A musical gem to be proud of? I definitely think so! 25. “Loose” police-walas, government clerks and traffic wardens No matter what you say or how guilty you feel for taking advantage, living in a country where a 100 rupee note unfailingly doubles as a truce flag, you've got to stop and thank your parents for not relocating to Amreeka or some other law-abiding country in the 80s! 26. Muslim Shower Need I say more? PHOTO CREDIT: PUBLICITY/AFP/REUTERS/NOOR JAVERI/EXPRESS/FILE Read more by Saad here.

After creating much hype and expectation, Pakistan Idol is finally here and it is good to see reality television in Pakistan being done this professionally. Having been an avid follower of American Idol for more than six years, I have to say that the Pakistani team of Idol has done a commendable job; from the pre-launch publicity, the judges, the contestants, the fun and the drama, everything about the show makes it a must-watch! So let’s get down to business. Here is my first impression of the show: The contestants I was pleasantly surprised to see the size of the crowd outside the venue. It was definite proof that there are people out there who believe in themselves and their dreams, while here I was thinking that we, as a nation, could not even dare to dream. Kudos to the producers for helping people reaffirm belief in themselves. [embed width="620"]http://www.dailymotion.com/video/x15bf3n_pakistan-idol-hd-lahore-auditions-28-sep-2013_music[/embed] The first contestant, Sana Zulfiqar, was a testament to that. She might have brought her own twist to the songs she sang (sometimes too much of a twist, even) and Bushra Ansari might have been a tad hard on her, but the girl had a good voice. I was glad to see that she made it to the next round. As Mohib Mirza, the host, turned to the crowd to ask them for their response, it was clear that they too, were as excited as I was to see her make it the next round. On a side note, it was sweet of Ali Azmat to have made the effort of meeting her parents. [embed width="620"]http://www.dailymotion.com/video/x180mj1_pakistan-idol-lahore_music[/embed] Rafay, the second contestant, well, he may have believed a little too much in himself. Although he did add spice to the show with his comedic drama, his vocals were simply ear-shattering. Ali Azmat was absolutely correct in passing the ‘Lady Gaga and Madonna’ remark because even in my opinion, he did seem to be a fan of the two. The guy was surely not ‘born this way’. However, Bushra Ansari was kinder when she said that he was just a ‘different’ kind of person. Rafay’s audition, as expected, did not go very well. Moving on to the third contestant, Tayyaba. Her audition was sweet but she did not make it to the next round. While it is always sad to see the sweet ones go, I am sure the judges know best. The auditions reel was shared with the all the contestants and audience members. Watching it made it quite obvious that the competition will be very tough. After all, this is the first season and standards need to be set right from the start. Next came the Lahori Pathan guy, Yasir Khan – or Pappu, as Ali Azmat referred to him – with an emotional story of how his family did not support his dreams. I am sure his selection made many a viewer happy, especially the girls. Although Haseeb Sultan Abdul's story was also heart-breaking, it was even more painful to see him go. Bushra Ansari, however, was correct in saying that a person’s financial situation cannot make up for a lack of talent. The ‘Salman Khan’ contestant, Shehzad Ali, added the much-needed humour aspect to the competition, especially after being subjected to such emotional auditions. [embed width="620"]http://www.dailymotion.com/video/x18417m_funny-salman-khan-act-in-pakistan-idol_fun[/embed] Although the next girl, Nimra, had a decent voice, the judges were right in letting her go since they felt she could have definitely given a much better performance. The contestant who came after her, Imran, once again provided comic relief to the show. He had passion, but he was just not cut out for the competition. He got so involved in his performance, that when he opened his eyes, the judges had vanished – their way of saying ‘No’ – whilst making sure they kept the humour alive. Although the last contestant was hanging by a thread, it was good to see him make it, after which the show ended with a compilation of all the contestants who had made it through the first round. The judges Many people have criticised the judges in Pakistan Idol. I personally think that the show is not only about bringing in people who understand music; but it is also about people who connect to the viewers and contestants alike. Being a judge is not simply about critiquing a contestant’s performance, it is also about being able to lure the audience into believing what you have to say. It is about being human and being real. And all three judges were able to connect with contestants and viewers alike. This is something that makes such shows fun and keeps the audience hooked. Ali Azmat One person from the music industry, who I believe is admired by one and all. He is not only a great singer but also a spectacular performer. Of course, being the judge in a show as substantial as Pakistan Idol, is a difficult task but the first episode was a testament to the fact that Ali will be a judge who will not only make selections for the heck of it, but will also critique the contestants and their performance to make sure that it is a learning experience too. If the first episode was anything to go by, he will prove to be a great judge and mentor for the contestants. Bushra Ansari I have only seen Bushra Ansari’s acting and was surprised when my mother told me that she happens to be a brilliant singer as well. Since this is a reality television show, it was encouraging to know that there is someone on board who understands all sides of the entertainment industry. She was the strict judge on the show and while it might be too early to label her, I can see her being the Simon Cowell of Pakistan Idol. Hadiqa Kiani She is good at pop music, understands the industry and has played around with folk music, so she knows the music traditions of this country quite well. However, she did seem to struggle with rejecting contestants and was trying her best to let them down easy. Hence, one can very well expect her to be the Paula Abdul of the show. The host Mohib Mirza is apparently ‘the man’ in the entertainment industry. He is an amazing actor and already has a large fan following. He is fun, comes up with canny comments and his connection with the participants is worth applauding. He is the perfect choice for a host and with his amazing hosting skills, I can bet that he will gain even more followers. The verdict Although this is just the beginning, it has been a strong beginning. Pakistan Idol seems well on its way to raging success with its publicity, entertainment value and judges. Prepare to be addicted! [poll id="310"]

Comic book writer and filmmaker Kevin Smith once said the following words and they are perhaps some of the most profound I have ever read, probably because they resonate on a personal level:

“Remember: It costs nothing to encourage an artist, and the potential benefits are staggering. A pat on the back to an artist now could one day result in your favourite film, or the cartoon you love to get stoned watching, or the song that saves your life. Discourage an artist, you get absolutely nothing in return, ever.”

As a child I loved to draw and for a ten-year-old I was quite talented. Then, in an incident that I will not get into, my sketch book was torn into bits against my screaming protests and the treasured drawings I had poured my soul into were destroyed before my eyes as I was left to wipe away my tears. After that day I never drew again. I continued to write occasionally and even worked at a video games website in my university years, although I never showed my work of fiction to anyone. Eventually, my writing stagnated. Later, I realised that I had hidden my work due to unprocessed fears of rejection. Even today my monstrous 10,000-page fantasy novel sits on my hard drive, unseen by the outside world. When I met my soul mate she encouraged me to put my writing ‘out there’. It was all that I needed – a little encouragement. Inspired by my future wife’s support, I sent some drafts to the then editor of The Express Tribune Blogs, Faria Syed, who to my delight, wrote back with some praise for my writing. Today I contribute to several publications, yet am still insecure about my work on occasion. Nothing cruel from my readers bothers me, while constructive criticism is welcome from both readers and senior writers in the industry. But nasty words from someone I look up to? Well, that can hurt. When I first saw Pakistan Idol judges Ali Azmat and Bushra Ansari humiliate the young man in this video for his physical shortcomings, I felt disbelief. Here was a young man with no other fault than the fact that he put himself out there on the minute chance that he could fulfill his dream. Instead of behaving professionally, Azmat mocked the man who had found the courage to be judged in front of Pakistan simply because the contestant carried a high-pitched voice. Lacking any creative way to insult the contestant, Azmat tried to mimic his voice by squeaking like a mouse. Next, when the contestant talked about the song he wanted to sing, Azmat recommends a ‘nursery rhyme’ instead, because to Azmat, the contestant had a childlike voice. Unfortunately, this tells us more about Azmat’s mind than the contestant’s lack of ability. https://twitter.com/Shahidmasooddr/status/412267061197680640 https://twitter.com/ansarian90/status/412280607163441152 Before the show I knew nothing about the former Junoon superstar’s personality, but I had always respected his music and contribution to Pakistan’s pop industry. That has certainly changed. Meanwhile, Azmat’s fellow judge, Bushra Ansari, seemed to bask in the contestant’s humiliation. On a side note, who is Bushra Ansari and what has she achieved on Pakistan’s music scene to be cast as a judge on this show? Couldn’t Pakistan Idol find an iconic music producer such as Shoaib Mansoor instead? Unfortunately for Mr Azmat, the joke is on him. Pakistanis on Facebook are lauding this young contestant and instead mocking Azmat. [caption id="" align="alignnone" width="620"]

Screen capture of top comments on the clip posted on Mobilink's official Facebook page.[/caption] Normally, I wouldn’t care much for such petty comments, but if Azmat feels that physical shortcomings are a valid enough reason to insult someone, then he should realise that his features are not very suitable for national television either. On the American Idol audition episodes that I have seen, the judges exchanged many jokes at the expense of delusional contestants, but always did so carefully so as not to cross the line. Here, it seems that the judges are trying overly hard to channel the mocking nature of their American counterparts, especially Simon, but failing miserably. [embed width="620"]http://www.dailymotion.com/video/xnv3vr_paula-abdul-about-simon-cowell-in-american-idol_shortfilms[/embed] From these auditions it seems that people such as Ali Azmat believe that just because they are celebrities they are allowed to spew whatever nonsense flows from their minds. Well, Mr Azmat, these contestants came to your show because they had a dream. If you must shatter that dream because they don’t cut it, then that’s fair enough, but don’t disrespect them as human beings. Whenever a new artist shares a picture they painted, a song they sang, a poem they wrote, a sculpture they made, a superhero they drew, they are putting a piece of themselves out there for the world to see. Constructive criticism can prove to be a catalyst but cruel discouragement achieves little. If you cut the stem because it is unsightly, then you may never see the flower bloom.

Pakistani cinema is on the verge of revival as more and more talented directors and film-makers prove their mettle in the field. Asim Raza’s debut project, Ho Mann Jahaan is one such movie we should keep an eye out for. Currently in the making, unlike many other movies in Lollywood, this film does not focus on politics. Based on the relationship dynamics between three friends, it is going to be the perfect epitome of an entertaining yet meaningful Lollywood flick. [fbvideo link="https://www.facebook.com/video.php?v=1589278938018907&set=vb.1504206416526160&type=2&theater"][/fbvideo] I got the chance to meet the cast and crew of this much-awaited movie and tried my best to get as much information as possible. Here is what I found out: 1. 90% of the shooting has been completed, that too in a span of only 50 days. [fbvideo link="https://www.facebook.com/video.php?v=1565261260420675&theater"][/fbvideo] 2. Mahira Khan, Sheheryar Munawar and Adeel Hussain are the lead actors of the movie. While they have done projects together, this will be the first time all three actors work alongside one another in a project. [caption id="" align="alignnone" width="595"] Photo: Ho Mann Jahaan Facebook page[/caption] 3. Asim Raza is famous for producing some amazing ad campaigns and music videos. [fbvideo link="https://www.facebook.com/video.php?v=1562761780670623&theater"][/fbvideo] 4. This is not a musical but music is the main theme of the story. [caption id="" align="alignnone" width="596"] Photo: Ho Mann Jahaan Facebook page[/caption] 5. Adeel Hussain plays the character of Nadir, a dutiful son of rich parents. [caption id="" align="alignnone" width="595"] Photo: Ho Mann Jahaan Facebook page[/caption] 6. Sheheryar Munawar plays the character of Arhaan who belongs to a lower middle class family and wants to pursue music as his career. Sheheryar is also co-producing the film. [caption id="" align="alignnone" width="594"] Photo: Ho Mann Jahaan Facebook page[/caption] 7. Mahira Khan plays the role of Manizeh who is brought up in a liberal family. [caption id="" align="alignnone" width="595"] Photo: Ho Mann Jahaan Facebook page[/caption] 8. The movie is shot in Karachi. Some of the scenes are shot at Frere Hall and IBA. 9. There are nine songs in the movie. [caption id="" align="alignnone" width="595"] Photo: Ho Mann Jahaan Facebook page[/caption] 10. The movie also features Bushra Ansari, Sonia Jahan, Nimra Bucha and Arshad Mehmud. [caption id="" align="alignnone" width="594"] Photo: Ho Mann Jahaan Facebook page[/caption] 11. This movie is expected to release on Eidul Azha. [caption id="" align="alignnone" width="595"] Photo: Ho Mann Jahaan Facebook page[/caption] 12. The music was produced by old and new talent of our music industry including some famous names like Atif Aslam, Tina Sani, Abu Mohammad, Asrar, Faakhir, Jimmy Khan, Zeb and Haniya. [caption id="" align="alignnone" width="595"] Photo: Ho Mann Jahaan Facebook page[/caption] 13. Mahira’s costumes were designed by Feeha Jamshed and Umar Sayeed. [caption id="" align="alignnone" width="596"] Photo: Screenshot[/caption] [caption id="" align="alignnone" width="595"] Photo: Ho Mann Jahaan Facebook page[/caption] 14. Male costumes were designed by Ismail Fareed. [caption id="" align="alignnone" width="594"] Photo: Ho Mann Jahaan Facebook page[/caption] 15. Bushra Ansari plays most pranks on the sets. [caption id="" align="alignnone" width="595"] Photo: Ho Mann Jahaan Facebook page[/caption] 16. You will see Adeel Hussain dancing in the movie. [caption id="" align="alignnone" width="597"] Photo: Screenshot[/caption] This post originally appeared here.

Bin Roye’s premiere was held at Nueplex Cinema yesterday and the entire setup was done up beautifully with motiyas (jasmine) used as a pretty backdrop. It was a star studded night, boasting of celebrities from the star cast of Bin Roye – Mahira Khan, Humayun Saeed and Armeena Khan along with Behroz Sabzwari, Shehroz Sabzwari and Syra Shehroz who were there to support Javed Shaikh. Bushra Ansari, Imran Abbas, and Angelina Malik also dropped by to show support for the cast and the movie. [embed width="620"]http://www.dailymotion.com/video/x2m7gyq[/embed] Mahira plays the lead role as Saba, while Humayun plays the role of her cousin Irtiza. Javed Shaikh and Zeba Bakhtiar are casted as Mahira’s parents while Armeena is playing Saman, Mahira’s sister. Here are five reasons why I think you should watch Bin Roye: 1. Mahira Khan [caption id="" align="alignnone" width="600"] Photo: Facebook page[/caption] If you have missed Mahira post-Humsafar, then you’ll surely love this movie. A huge chunk of the movie is focused on Mahira who is projected as an extremely happy and love struck individual. 2. Breath-taking locations and scenic views [caption id="" align="alignnone" width="600"] Photo: Facebook page[/caption] [caption id="" align="alignnone" width="600"] Photo: Facebook page[/caption] From what I have heard, a major part of the movie was shot in Karachi while some of the scenes were also shot in San Francisco. So if you are romantic soul in search of wanderlust, you’d love the movie for the locations and the mesmerising views. 3. Balle Balle is the new London Thumukda [embed width="620"]http://www.dailymotion.com/video/x2twdft[/embed] Okay, I know this may come off as a bit exaggerated, but the songs were pretty good. Balle balle stole the show for me, While Maula Maula came in second, because Abida Parveen. Enough said! 4. Support #PakistaniCinema Let’s be honest, we all want our entertainment industry to grow and flourish. Since the past two years, Pakistan has witnessed a changing trend in the movie industry. Due to the inception of Khuda Ke Liye, we have been gifted with a new era which will definitely bring the doomed film industry back on its feet. So if you’re not a fan of either of the stars casted, I’d still urge you to go and watch the movie because we should support Pakistani cinema. 5. Upcoming drama series Some of you may already know that Bin Roye is the movie adaptation of Farhat Ishtiaq’s novel, Bin Roye Aansoo. So if you’re an avid reader and prefer books over movies and also end up watching movie adaptations of your favourite books, then you should get yourself a ticket. Also, did I mention that HUM TV is soon going to produce a drama series on the same novel? Yes. You read that right. Apart from the locations, what I loved most about the movie, were the clothes. The designers in charge for the clothes are Sania Maskatiya, Feeha Jamshed, Elan, Deepak Perwani, Jazib Qamar, Labels and Bonanza. There are a few things which you’ll notice while watching the movie. Bin Roye, like any other movie, comes with loopholes and imperfections. So here are five reasons not to watch the Lollywood flick: 1. The storyline was abrupt We all know how difficult it is to do justice to the books, but here we are facing a totally different story. There was a lack of synchronisation in the scenes and everything was abrupt. I like my mango shake and my movies quite blended. 2. The first half of the movie is extremely confusing [caption id="" align="alignnone" width="600"] Photo: Facebook page[/caption] Everyone will be confused in the first half of the movie. Fifty minutes into the movie and you’d still be watching Mahira going gaga over her cousin, Irtiza, who she’s in love with. 3. No clarity [caption id="" align="alignnone" width="600"] Photo: Facebook page[/caption] Humayun is no doubt a brilliant actor and I believe he should have been given more screen presence throughout the movie. Also, Humayun goes abroad for two years and it’s still not clear why he actually went there. ‘It’s good for his career’, is all he said in the movie. No other explanation was given as to why he went abroad. Was it a job offer, did you have to go for studies? What exactly did you go there for? 4. Lack of character development A little more detail and focus on the characters would have helped in a proper character development. Supporting casts were also given very few dialogues. Oh and who was the guy who accompanied Irtiza to and back from the airport? Still unknown. 5. First half was slow [caption id="" align="alignnone" width="600"] Photo: Facebook page[/caption] The first half of the movie was a little slow. However, the second half of the movie managed to pull up the pace and while some scenes were shot brilliantly, some were hazy. If I had to rate Bin Roye in each department, it would be, Music: Four out of five Eye candy: Four out of five Direction: Three out of five Overall: Three out of five If you are looking to take your family out on Eid, this movie could be one of the options. If you have watched the movie or planning to watch it, do share your feedback. This post originally appeared here.

Jawani Phir Nahi Ani (JPNA), without a doubt, has been one of the most anticipated movies of the year. The reasons include its well-known star studded cast which includes Hamza Ali Abbasi, known for his controversial statements regarding the movie, Mehwish Hayat, who’s seen in a completely different light since the release of her item song, and Vasay Chaudhry, who is known for his inspirational tales. The movie also highlights heavy brand endorsements. [embed width="620"]http://www.dailymotion.com/video/x2lacxk[/embed] The movie revolves around three childhood friends, Saif (Hamza Ali Abbasi), Sheikh (Vasay Chaudhry) and Pervez (Ahmed Ali Butt), who are married and settled in their lives but are afraid of their wives. Their friend Sherry (Humayun Saeed), a divorce lawyer, returns to Pakistan from the US to meet them, only to discover that their lives are literally miserable because of their wives. Hence, he decides to take his friends to a boys’ trip to Bangkok to add some spice and excitement into their lives. [caption id="" align="alignnone" width="600"] Photo: Jawani Phir Nahi Ani Facebook page[/caption] While in Bangkok, however, things get out of hands when Marina (Mehwish Hayat), daughter of Bichchhi Don (Ismail Tara) falls in love with Sherry and insists on marrying him. Sherry, on the other hand, has no such intentions and wants to leave Bangkok immediately with his friends. Furthermore, on the 11th hour, their secret is out when the trio of wives show up in Bangkok and raid the hotel they’re staying at. Sherry puts the blame on his friends by telling their wives that the trip was their idea and not his. This results in their wives asking them for a divorce as they had lost all trust in their husbands.

After a few months, the three friends come across the news that Sherry is getting married to Zoya (Sohai Ali Abro), billionaire Mehboob Khan’s (Javed Sheikh) daughter in Lahore. And this is where the movie gears up. It’s a comedy, yet full of errors and situational humour, which is an outcome of mindless confusions. Performance wise, Humayun Saeed, Ismail Tara and Javed Sheikh stole the show. Sherry’s character is full of surprises and shocks, Saeed proved that he is an experienced actor and can carry the load on his shoulders. Javed Sheikh is the ace superstar of Pakistan; this is his fourth release this year, and he has been phenomenal in each of them. Tara is one of the finest comedians of Pakistani cinema. He is brilliant in every scene and has proved to be a spontaneous actor. [caption id="" align="alignnone" width="600"]

Photo: Jawani Phir Nahi Ani Facebook page[/caption] Out of Vasay Chaudhry, Ahmed Butt and Hamza Abbasi, Chaudhry has funny one-liners and his comical expressions are similar to the renowned late Indian actor Mehmood. Butt is still earnest but performed very well. On the other hand, Abbasi wasn’t extraordinary at all; his representation was average. After Main Hoon Shahid Afridi and Waar, the viewers expect him to showcase some talent, rather than just look cool on screen. [caption id="" align="alignnone" width="600"]

Photo: Screenshot[/caption] Sohai Ali Abro and Mehwish Hayat’s performances were praiseworthy. However, I felt Bushra Ansari was too loud; she continues to reflect her previous characters such as Saima Chaudhry and Bijli. We now await her to reveal some versatility in her performance. [caption id="" align="alignnone" width="600"]

Photo: Screenshot[/caption] The songs can be enjoyed in parties and weddings as they are certainly upbeat, but they fail to become memorable once you leave the theater. Those looking for catchy lyrics and hummable melodies will be disappointed. Fair n lovely ka jalwa is simply weird; I felt that it lacked tune. Aaj phir khul jaye botal is peppy but badly choreographed. Moreover, Aisa jhor hai features the inspirational tune from 1979’s Bollywood blockbuster Nauker’s song Pallu Latke re maro. [embed width="620"]http://www.dailymotion.com/video/x33etjj[/embed] [embed width="620"]http://www.dailymotion.com/video/x3703lf[/embed] [embed width="620"]http://www.dailymotion.com/video/x34p7yx_khul-jaye-botal-official-video-song-l-jawani-phir-nahi-ani-l-mehwish-hayat-hamza-ali-abbasi-pakistan_shortfilms[/embed] The script is mediocre in terms of dialogue. There are a few one-liners which are unique but the rest are predictable and clichéd. Bits and pieces of the movie remind me of various Indian movies, such as Masti, No Entry, Life Partner and Housefull, but it’s not an exact imitation of either of them. [caption id="" align="alignnone" width="600"]

Photo: Jawani Phir Nahi Ani Facebook page[/caption] The movie is more of a senseless comic flick far from reality. Hence it’s advisable to leave your mind outside the cinema hall. Perhaps the movie will do well solely because it’s an Eid release and has no fierce competition. The producers Salman Iqbal, Humayan Saeed and Jerjees Seja may enjoy hefty revenues. And Nadeem Baig as the director may continue to attract stylised senseless comedies in the near future. I would rate this movie 2.5 out of five.

Nepotism has a new face in Pakistan. Can you guess who it is? No, it’s not Nawaz Sharif. It’s not the Bhutto clan. It’s not the politicians or the bureaucracy. All those institutions have been swept aside by that new lady in town. We fondly call her ‘Lollywood’, but she’s more formally known as Pakistan’s film industry. She isn’t really new, but her recently acquired contemporary ornaments have taken years off her face. She wears Bol around her neck, carries Bin Roye under her arm and has crowned her head with Waar. In step with her is her entourage; a horde of uncles and aunties, brothers and sisters, nephews and nieces. Pakistan’s film industry is flourishing rapidly and the credit essentially goes to the directors and producers who resuscitated it and brought it back from the gallows before a death sentence could have sealed its fate. It is as if they have taken a silent vow to carry the burden of the entire industry themselves. Unfortunately, their appropriation of the film industry has come at a huge cost. The harrowing truth is that the industry only has a handful of actors who get casted – and re-casted. There are only a few names up on the marquee, of which the regulars are Faysal Qureshi, Saba Qamar etc. Every name is a household name. Although these actors are immensely talented, I can’t help but roll my eyes as I surf through the channels and see the same faces. I know their wrinkles, blemishes and moles by heart now. Therefore, I am on my knees and joining my palms for this desperate plea: Bring in some new talent, for God’s sake! Admittedly, there are many young actors who have shot to the top, however, the reality is that they are the relatives of the big names; cousins, sons or daughters of prominent actors of their time. The progeny is stepping in and reaping the gold. That seems to be the norm Pakistan subscribes to. Take, for instance, the case of Sikander Rizvi. He is the grandson of Noor Jehan, who was a renowned singer of the 90’s. He did not break a sweat as he nabbed the lead for Dekh Magar Pyar Se.

“I never wanted to work in films even though I have always been surrounded by the film stars. When Fawad dropped out, I happily stepped into his shoes.”

For prospective actors who belong to reputable families with acting legacies, breaking into the industry is as easy as making a phone call. The rest have to meander through the narrow, mean streets of the cinema and television industry with little hope. I, for one, have seen Javed Shaikh and Shaan Shahid in almost every Lollywood film I can possibly think of, and yes, I do object to Bushra Ansari’s recent stint of dragging her sisters into the television business. How many auditions did Asma Abbas have to give to score her big break? I’m sure the number is staggeringly low.

Our film industry is striving for professionalism. Its strategies have garnered successes which cannot be denied by the staunchest of critics. However, the industry has been designed like a roller coaster, not a sturdy train track. It has reached the top with the same old faces, but without fresh blood it will plummet to the bottom. So, here’s my ardent request to the casting directors and producers: Put an end to these nepotistic ways. Do not cast your sister’s son as the lead. Hold some auditions. Shake things up. How can we expect our industry to flourish if we continually overlook our young actors? How can Lollywood add more jewels to her crown without the talent that is roaming the streets aimlessly? Shaan Shahid cannot play all the roles himself.

The current situation dictates that there is no use in studying drama and performing arts. Somebody’s familial ties will win over your talent and hard work. We need to take a page out of Hollywood’s book, perhaps. The American film industry grooms talented young actors and encourages them to step up their game. That is primarily why their industry is considered second to none. In Pakistan, however, the harshness of the industry is discouraging to amateur actors. The ‘tried and tested’ talent will take precedence over them. Actors such as Bushra Ansari or Saba Qamar will take up all the space in films and dramas. [caption id="" align="alignnone" width="600"]

Actor Shaz Khan from Moor (left) and Ahmed Ali from Karachi se Lahore (right)[/caption] What is the young talent supposed to do? Bring them chai and hold up a mirror as they refresh their makeup? I feel sick to my stomach when I see television producers as influential as Momina Duraid relentlessly recruiting the same old actors in her new TV serials. How can we wish for revolutionary change in our industry when we’re applying blush to the same old faces? I have never heard of an actual ‘audition’ taking place in the big cities of Pakistan, especially for a film. Why, you ask? It is because they already have Mahira Khan and Humaima Malik lined up for a film beforehand.

So here I am, with clasped palms, saying this out loud: our film industry will be in jeopardy if we do not diversify our talent pool. I feel ashamed that there is no opportunity for those hopeful actors who want to be an integral part of our film industry. The hegemony of the oldies has to end. Mark my words, the public will be bored sooner than you think. Lollywood’s necklaces and her crown will get old and rusty. Have a new one ready soon, before she gets sent to the gallows again.

HBO’s The Night Of proved to be the most important summer show on television. The very transformation of the co-lead Riz Ahmed’s Nasir Khan as a clean-cut kid turned drug mule is a perfect example of why everything needs a little push. Oh, and also when two of Hollywood’s most likable ladies, Jessica Chastain and Elizabeth Banks, are raving about something on TV, we should take notice. https://www.youtube.com/watch?v=556N5vojtp0 This is where the whole ‘wrong guy at the wrong time in the wrong place’ worked so well in the show. Imagine the chaos we’ve seen in 2016 in Pakistan. After some terror attacks and the murders of Amjad Sabri, Qandeel Baloch amongst others, one would expect our TV industry to put their money into making shows like The Night Of. Yet, we have instead invested in shows such as Mann Mayal and Udaari, where poor old Hamza Ali Abbasi and Samiya Mukhtar are victims of so many awful people trying to do so many terrible things to them. How tragic! I remember the time when I used to think Asher Azeem was the bad guy in Dhuwan – maybe it was his performance or the screenplay. I was a toddler when it first started, but then I recall how frustrating Asher and Nabeel’s team situation would look. The problem with producing shows such as Udaari and Mann Mayal is that they’re a liberal Karachite or Lahori’s perspective on conservative topics with some attractive faces doing unattractive things. [caption id="" align="alignnone" width="400"] John Turturro in The Night Of[/caption] If anyone’s watched The Night Of, I bet they noticed that John Stone (the most John Turturro-esque John Turturro performance since Quiz Show) could have just destroyed the disk Freddy Knight (Michael K Williams) sent him and let Chandra (Amara Karan) have her wonderful romance with Nasir ‘Naz’ Khan. Imagine, Naz and Chandra kissing at the end of the show like Jennifer Lawrence and Bradley Cooper in the underrated Silver Linings Playbook. But they didn’t. [caption id="" align="alignnone" width="600"] Riz Ahmed in The Night Of[/caption] What the Pakistani TV industry needs to realise is that realism works extremely well in the 2010 era. I mean, ask the average man (between the ages of 20-30) names of some new faces in the industry and he’ll tell you three, maybe four names at best. The average Pakistani would rather watch those 8-11pm talk shows about how corrupt politicians are and listen to the same arguments repeatedly rather than watch some wife-husband-third party affair with respected talent like Beheroz Sabzwari or Javed Sheikh playing the caring and loving dad. I honestly don’t know who the biggest culprit here is – the veteran acting earning pay checks for dishonest executions, the corrupt politicians robbing us through taxes, or the Mercedes riding anchor/analyst worrying too much about the fraught masses of Pakistan. In one scene of The Night Of, John Stone explains the ‘urban woman in the big city’ problem where he relates different social groups to their social stigmas. There are barely any mentions of black, Muslim, Judeo-Christian and centrist white values in the show. Have we seen a show from Balochistan that’s not about hate, violence or misogyny? Have we ever seen a show from urban Sindh that’s not about money or marriage? Have we ever seen a show from Mardan or Kohat? Forgive Bushra Ansari for her dreadful performance and horrifying accent in Udaari, sadly, she’s lost her touch. I miss the times when shows with dark humour mixed with normal problems like Guest House ruled the screens. Let me ask you this, do you remember the names of the breakout characters portrayed by the women who have departed recently for Mumbai? I even remember Faisal Qureshi and a Charlie Chaplin character acting together in a space opera from the early 2000s. Yes, a Pakistani Star Trek did air and we forgot to watch Faisal play the role of a good husband in just about every sitcom while he continues to be an Ellen wannabe (just like everyone else) when his comic timing is so darn immaculate at times. So since our TV industry only has the time to make money, join Muttahida Quami Movement (MQM) or Pakistan Tehreek-e-Insaaf (PTI), work for Bollywood or try to stay relevant (I’m looking at you, Veena Malik). I sign off with prayers that a show like The Night Of inspire our producers and directors to make a show based on realism and real problems in Pakistan rather than the cringe-worthy and predictable line-ups that we currently have.

Since our movie industry is still in its revival stage, Pakistani dramas have been at the core of our entertainment business. Whether they are our classics like Ankahi and Tanhaiyaan, which to date are fondly remembered, or the dramas loved by the masses in recent years, such as Humsafar and Yaqeen Ka Safar. However, as much as we love our dramas, there are plenty of subgenres that cause sheer cringe moments when viewed on national television. Recently, Malik Taimoor, a Pakistan Tehreek-e-Insaf (PTI) MPA from Rawalpindi, submitted a resolution to the Punjab Assembly. He believes the word ‘talaaq’ (divorce) is being used in the Pakistani television dramas a lot and is creating a negative impact in the society. He termed this as undesirable in Islam and therefore urged the Pakistan Electronic Media Regulatory Authority (PEMRA) to ban the airing of the word on TV screens across the country. It is evident the word ‘talaaq’ is definitely loosely tossed about in dramas and does have negative connotations which impact the society. A particular drama, Dil Hai Chota Sa, written by Bushra Ansari and starring Tooba Siddiqui, Faysal Qureshi and Mikaal Zulfiqar, was centralised around the topic of divorce. However, rather than portraying the topic as a simple matter, the drama highlighted the seriousness and severe consequences of an individual impulsively using the word ‘talaaq’. Pertaining to religious values and culture, it becomes necessary for drama producers to keep in mind the repercussions of showing something as sensitive as ‘talaaq’. Throwing this term left, right and centre desensitises an individual, who may disregard the value of the term and do the same. But is the overuse of this word the most problematic thing in Pakistani dramas? While it is important to address this issue, there are other themes in Pakistani dramas that need our immediate attention. Sadly, they not only promote regressive ideologies but encourage inappropriate morals. Rape: There is no such thing as ‘romanticism’ when it comes to rape. It is the foulest act a human can commit. Yet, dramas in the past, such as Sangat, have had the tendency to sensationalise and mitigate the crime by portraying the character of the rapist as a ‘decent’ human being who just happened to ‘slip’ and commit sexual assault. [caption id="" align="alignnone" width="600"] Photo: Hum[/caption] How is this serious issue of giving a rapist the stance of a ‘hero’ not condemned by our government? Given the rise in cases of rape and harassment in recent times in Pakistan, it is absolutely essential for the government to take note of the kind of content the dramas are producing. It needs to draw a line between telling an inspiring story and commercialising a crime. Stockholm syndrome exists for a reason. Empathising with your rapist is not normal and should be shown just as that. Till the government takes action against such absurd ideologies our society will be conditioned to think that rape can be validated as a ‘mistake’ rather than a vile crime. Disabilities: Worldwide, awareness for disabilities are ardently acknowledged and spoken about, while goal-oriented solutions are made to include such individuals within society. Unfortunately, Pakistan is still a nation lagging behind in doing so and the unsuccessful effort made by the drama Iltija to create awareness about Down syndrome failed miserably. [caption id="" align="alignnone" width="600"] Photo: Facebook/ Iltija.Official[/caption] Instead of sending a constructive message to audiences about how parents are meant to raise children with special needs and cope with the challenges which arise, Iltija focused on dramatising the separation of the parents. The drama created scenarios where the mother of the child, Tooba Siddiqui, was repeatedly abandoning her child to muddle through her own ‘suffering’. What truly led the drama to the pits of ignorance was the showcasing of unacceptable communication methods and behaviour with children with special needs, which was repeatedly portrayed by the supporting characters of the plot. If the government is concerned of how the media influences society, then dramas such as Iltija should be shut down. In a country like Pakistan which is already alienating people with disabilities, the portrayal of such individuals as the ‘cause’ of problems is further worsening their situation in the society. Tawaifein (prostitutes) and Brothels: Unfortunately, there are multiple areas within Pakistan where brothels are actively operating and young girls and women are forced to lead unfathomably miserable lives, which they have no choice but to submit to. It is understandable that light needs to be shed on certain controversial and taboo topics; however, there is a thin line between addressing a topic of conflict and glamourising immorality. Rather than addressing this issue with a progressive stance, the recently aired drama Alif, Allah aur Insaan glamourised the controversial issue. [caption id="" align="alignnone" width="600"] Photo: Facebook/ Alif Allah Aur Insaan[/caption] Such themes of dramas should be strictly monitored by the government. Not only are characters of ‘tawaifein’ moulded to be viewed with ‘awe’ but the ‘normalising’ of brothels conditions society to accept the existence of dancing girls and red light district areas. It is not okay to glorify the harsh realities of brothels. Kala jadoo (black magic) and taweez (amulet): Kala jadoo and taweez are notions familiar to everyone and are as common as the flu! Almost every Pakistani drama will have at least one negative character indulging in the act of going to an ‘aamil’ and asking them to perform black magic or requesting for a taweez to conveniently ‘destroy’ a person or family of their choice. If the word ‘talaaq’ is condemned and made to be banned from our dramas as per Islamic theology, then the concepts of black magic and taweez too should be banned. Unnecessary villains: Another popular element that can be pointed out in our contemporary dramas are the unnecessary villains who majority of the time are women. Whether it be a monstrously controlling saas (mother-in-law), a power-hungry nand (sister-in-law) or famously, a bahu who ambitiously dedicates her life to destroy an entire family, single-handedly. Negative characters do exist within societies and families, therefore they will evidently be a part of plots in dramas as a representation of reality. However, the over-dramatisation and exaggeration of such characters are not only unrealistic but present women in a negative light – as schemers. I mean, we may all know someone who is a little like ‘Jeena’ from Mann Mayal, but was it really necessary to add excessive ‘mirch masala’ to the character? [caption id="" align="alignnone" width="600"] Photo: Facebook/ Mann Mayal Official[/caption] Eradicating media messages that have a negative impact on the society cannot solely be based on banning one particular word. If the government is taking a strong stand to ban a particular word from dramas aired on national television, then it is fundamental to also revaluate the content that should be allowed to go on air.

With films like the Na Maloom Afraad series and Actor In Law under his belt, Nabeel Qureshi has not only entertained audiences but has also pulled off three of his ventures thus far. It won’t be wrong to say that Qureshi is a filmmaker for the masses, with Na Maloom Afraad being a genuine entertainer, whereas its sequel – loaded with toilet humour – also received appreciation, though not as much as the original. So what happens when a director known for mass entertainers tries something new and moves towards a different genre, with a film that centres on a social issue? The answer would be Load Wedding. https://www.youtube.com/watch?v=NkXBll2DpuQ The film seems to be based on a wafer-thin, yet bipolar plot. Raja (Fahad Mustafa) and Meeru (Mehwish Hayat) are in love but circumstances – such as Raja’s father dying and Meeru getting married – keep them apart. However, Meeru’s husband dying right after her marriage is a quick resolve to the angst, giving our protagonists the chance to be together. Till the interval, the film presents itself as a typical romance, until the leading couple get together. After the interval, however, the plot takes a U-turn to focus largely on the issue of dowry as Raja tries to get his sister married, and highlights the issue whilst ridiculing a certain infamous TV game show host. The “romantic” first half of the film drags a bit; it feels too slow, and the audience seems bored while presented with illogical scenes, such as when Raja stalks Meeru. I mention illogical and hard to believe, for this ‘stalking’ sequence takes place on the narrow streets of Niraali, their village, and no one seemingly finds it odd that a grown man is following a girl around. What Pakistani village did they base this on? Given the cultural context, the scene just feels problematic. Admittedly, I am still wondering what the writers were thinking when they wrote Raja telling Meeru that it was his luck and the outcome of his prayers that she was widowed. I cannot be the only one who feels that not only is the dialogue quite pointless, it is also rather insensitive. Performance wise, Mustafa is brilliant, as always. Comedy is his forte, but he also does justice to his emotional and romantic scenes, and is an example of perfect casting as he is entirely believable as Raja. Hayat, on the other hand, is also excellent, as she handles a difficult character with ease and makes the love story between her and Mustafa’s character very believeable. Samina Ahmed performs well, but the same cannot be said for Noorul Hassan, who needs to broaden his range. Fahim Khan, on the other hand, was exceptional and brings an exciting element to what turned out to be a boring film. There are many scenes in Load Wedding that do not make much sense and feel forced. One particular flashback scene was added only for the cameos and that's pretty much it, as the entire scene lacked substance otherwise. Additionally, the honeymoon scene made me recall a specific episode from a 90’s Pakistani sitcom titled Guest House, where a sister-in-law (Bushra Ansari) ruins her brother’s honeymoon by tagging along the newlyweds to Murree. On a side note, the cinematography showcasing the setting in Murree is purely bogus and torture to the eyes. Many emotional moments in Load Wedding give the impression they have been added only to make the audience cry, which unfortunately does not work, as the pacing of the film does not allow the audience to connect with the characters emotionally. The film also shows Meeru as a polio worker, with polio being another issue raised in the film with no punches. The only highpoints in the entire film are as follows:

Fahim Khan’s game show sequence,
The climax, which reminds you of Madam Noor Jehan’s song Aaj aur kal.

https://www.youtube.com/watch?v=rRKxQ0fyb9k Both combined take up around 30 to 35 minutes of the entire film, which, along with the performances, are what will keep you in your seat. The remaining hour-and-40 minutes of the movie will try to make an impact, but keep on missing the mark. The new trend in Pakistan seems to be making films with an average script and subpar comedy, and follow it up with a social message in the climax so people leaving the cinema do so talking about the important message shared. The same was last seen in Mehrunisa V Lub U. Safe to say, using a formula does not work, so Qureshi should perhaps have stuck to what he is good at. Overall, Load Wedding is most definitely a one-time watch, and given the other options available at the moment, it can easily be skipped altogether.

All photos: Screenshots

Amidst skirmishes along the Line of Control (LoC) and a threat of further military escalation between Pakistan and India that could lead to the menace of nuclear conflict in South Asia, a flicker of hope appears in the form of a satirical rap song by the dynamic sister duo, Bushra Ansari and Asma Abbas. Illustrating the harsh realities and craving for amity, the song Humsaye Maa Jaye has gone viral on various social media platforms and is immensely appreciated by Pakistanis and Indians alike. https://www.youtube.com/watch?v=IffLUlwY0AE The Punjabi song is written by Ansari and Abbas’ elder sister and poetess, Neelum Ahmed Bashir. It is a straightforward rap tête-à-tête between two neighbours who are sharing their feelings and love for each other irrespective of the hostilities between their countries. The song’s description on Ansari’s newly launched YouTube channel states that it is “a music video that goes beyond war and borders to the hearts of people living so close, and yet so far away…”. Sung and performed by Ansari and Abbas, Humsaye Maa Jaye sounds like a folk tappa highlighting the metaphors and a dialect native to the Punjab region of the subcontinent. It depicts the emotional outbursts of a Hindu and a Muslim woman living on either side of the Pak-India border. https://twitter.com/beenasarwar/status/1113780692058607621 Nicknaming each other Gwandne, a Punjabi word which means 'neighbour', both village women candidly exchange their thoughts about core socio-economic issues, political cataclysms as well as the consequences of a nuclear war that could endanger civilisation. [caption id="" align="alignnone" width="600"] Photo: Screenshot[/caption] Directed by Iqbal Hussain, the four-minute song impeccably reveals the public opinion with a tinge of cynicism. The lyricist tries her best to endorse the notion that communal resilience combined with profound friendship should swap political and military clashes between the two nations. The essence of the song touches upon every sensible mind and heart that wishes to have a peaceful atmosphere in the region. The video shows that Abbas is a Muslim woman from Pakistan who shares a dividing wall with her Hindu neighbour Ansari, who is from an Indian village. Both women are busy in their kitchen while conversing with each other. This casual chatter is beautifully adorned with beguiling rap rhymes. [caption id="" align="alignnone" width="600"] Photo: Screenshot[/caption] The unpretentious yet deep verses illuminate the ugly face of political dogmas and games, the war mongering and harmful projection by electronic and print media, as well as the hate speech that the media propagates.

“Nothing, it’s just politics playing games. I have heard on TV that you are my enemy. I have also heard that you hate me terribly.”

The song further draws attention to ground realities and issues that people of both nations are facing and suffering from, such as poverty, hunger, water scarcity and electricity crisis.

“We face similar everyday problems of food, water and electricity. Your kids go hungry and so do mine.”

Both artists concur that they share the same sky, moon and stars but remain speechless about the reason of the high level of hate and animosity between their countries. The next couple of verses candidly talk about the potential effects of an atomic bomb in a very saddened way:

“If the atoms explode, the birds and crows will die. We will also die like sitting ducks. Humanity will perish.”

https://twitter.com/Razarumi/status/1114178015284613120 Taunting about the visa policies, the song also suggests that atomic bombs are not important but education of children and teaching them love for a prosperous future is actually essential. Spending money to eradicate poverty, hunger and on young generation’s education will eventually bring love and peace between two neighbours:

“Let’s just pick up the bombs and throw them in fire. Let’s collect school fees and get our kids educated. Let’s teach love to our future generation.”

In the last segment of the video, both women hope for peace and try to show their affection for each other by exchanging their chunnies (a Punjabi word for dupatta). They decide not to worry about petty issues or concentrate on negativity, instead they choose to sing and dance to legendary musical scores produced by their countries. [caption id="" align="alignnone" width="480"]

Gif: Giphy[/caption] All in all, Ansari and Abbas’s Humsaye Maa Jaye is a marvellous attempt to highlight the reality of the situation and de-escalate the tensions between the two nuclear powers. The song amazingly covers the real root causes of deteriorating Indo-Pak relations. https://twitter.com/WomaninHavana/status/1114566040921497600 These mesmerising verses actually portray how Indians and Pakistanis really think about each other and comprehend war-like situations. Such fearsome endeavours are envisioned to reject the war-mongering of senseless Indian media as well as Bollywood stars who attempt to spread war hysteria just to receive a few ‘likes’ and ‘retweets’ on social media. Simply put, sister duo Ansari and Abbas played their positive role in peace-building through their thought-provoking song which is not only entertaining but also highlights the voice of peaceful people of nuclear-armed arch rivals. [caption id="" align="alignnone" width="600"]

Photo: Screenshot[/caption] Following the Pulwama attack in Indian-occupied Kashmir (IoK) in February, Pakistan has taken numerous steps to de-escalate the situation by inviting India for dialogues. In order to diffuse the tension, Pakistan’s Prime Minister Imran Khan released the Indian pilot Wing Commander Abhinandan as a peace gesture. Pakistan has been trying to resolve the matters with India and the announcement to release 360 Indian prisoners, out of which 100 fishermen have already been released, is another indication towards the peace process. The global community acknowledged and appreciated Pakistan’s positive attitude. However, if Narendra Modi and Bharatiya Janata Party (BJP) are scamming to win the upcoming elections, Indians should take notice of such warmongering politicians who will always pick destructive warfare over peace-making. One can only hope that he will fail in befooling the Indians, the hatred walls he is trying to build will shatter, and there will be dialogues for unresolved bilateral issues. Because as this song highlights, people on either side of the border do not want to hate each other or go to war. Let better sense prevail!

For much of the 2018-19 season, Real Madrid’s campaign has been driven by pessimism and trepidation. From mediocre performances on the field to a lack of purpose off it, the Los Blancos found themselves entrenched in a diatribe with a swathe of negative opinions from fans and critics alike. But the return of the clubs’s favourite son Zinedine Zidane after his dignified exit nine months ago has cut through all the noise, at least for the time being. Zizou’s work is cut out for him as the rebuilding job at a club like Real Madrid, with extremely high expectations, won’t be an easy task by any stretch of the imagination. https://twitter.com/kevinchimuka/status/1113392173150502914 However, unlike towards the end of his last tenure, Zidane will have financial backing from the club. A report from The Independent claimed “Real Madrid president Florentino Perez has promised Zidane an expensive overhaul,” immediately after the Frenchman’s arrival. A few days later L’Equipe’s front page (titled Casino Royal) stated that: “Perez is ready to show faith in Zidane to turn the ship around by giving him a €500 million summer budget.” If Madrid are keen on spending heavily in the upcoming summer transfer window, they will have to do it wisely, bearing in mind their current expectations and without compromising future ambitions. Defence Real Madrid’s defence is, arguably, the least concerning aspect of their squad. Sergio Ramos and Raphael Varane might not have had the best of seasons, but they still form a formidable pairing in the centre of defence. But with Ramos aging and especially if Varane decides to leave, Madrid would need adequate replacements in order to beef up their backline options. Looking at the options, three names stand out in particular. These include Napoli’s Kalidou Koulibaly (27), Inter Milan’s Milan Skriniar (24) and Ajax’s Matthijs de Ligt (19). [caption id="" align="alignnone" width="600"] Kalidou Koulibaly during the Serie A match between US Sassuolo and SSC Napoli at Mapei Stadium - Citta' del Tricolore on March 10, 2019 in Reggio nell'Emilia, Italy. Photo: Getty[/caption] All three have no obvious weaknesses and possess the ideal skill set expected from a defender (strength, positioning and ball playing skills), supplemented by the fact that they are young enough to be part of the club for a very long time. While Madrid would be happy to bring in any one of these players, Skriniar would be cheaper as compared to the other two, considering the absence of a release clause in his contract with Inter. [caption id="" align="alignnone" width="600"] Milan Skriniar of FC Internazionale competes for the ball with Danny da Costa of Eintracht Frankfurt during the UEFA Europa League Round of 16 Second Leg match between FC Internazionale and Eintracht Frankfurt at San Siro on March 14, 2019 in Milan, Italy. Photo: Getty[/caption] The 24-year-old also offers an added dimension of having played as a defensive midfielder with the Slovakian national side, and consequently can provide cover on two positions while also aiding in-game tactical switch. Midfielders Real Madrid have a substantial amount of talent in the centre of the park, with an impressive blend of young (Marcos Llorente, Fede Valverde and Dani Ceballos) and experienced players (Luka Modric, Toni Kroos and Casemiro). In order to cater to an aging Modric and take off pressure from Kroos, Madrid need a couple of additions to their midfield. However, they don’t need to spend heavily in this regard as the players they have loaned out – James Rodriguez to Bayern Munich and Mateo Kovacic to Chelsea – will be ideal suitors. Rodriguez’s incisiveness in the final third, both in open play and dead ball situations, will add creativity in central positions. This is of particular importance because a majority of Madrid’s attacks are wing-based, which is why the Colombian’s presence will stretch opposing defences and bring more unpredictability going forward. Also, through his quotes in the press, the midfielder has also indicated that there is no love lost between him and the Spanish giants, despite being left frustrated for playing time under Zidane previously. [caption id="" align="alignnone" width="600"] James Rodriguez of FC Bayern Muenchen controls the ball during the Bundesliga match between FC Bayern Muenchen and 1. FSV Mainz 05 at Allianz Arena on March 17, 2019 in Munich, Germany. Photo: Getty[/caption] Kovacic might not have had the best of seasons at Chelsea, but he can still play a vital role in The Whites midfield with his ability to play line-breaking passes; a trait which is of pivotal importance, especially against many La Liga sides who like to sit deep and defend. Also, the Croatian’s best time in Madrid colours came while playing under Zizou, which makes a strong case of having him back in the Spanish capital. [caption id="" align="alignnone" width="600"] Mateo Kovacic of Chelsea in action during the FA Cup Fifth Round match between Chelsea and Manchester United at Stamford Bridge on February 18, 2019 in London, United Kingdom. Photo: Getty[/caption] Forwards Ever since the departure of club legend Cristiano Ronaldo, the talk surrounding Real Madrid’s attacking pedigree has shown no signs of subsiding. Since the departure of the Portuguese, the goals have significantly dried up for the Los Blancos and hence the need for some clinical finishers in front of the goal is, probably, more than ever. Talking about forwards, one player that has constantly been linked with Real Madrid is Chelsea’s Eden Hazard. Although there is no doubt about the Belgium international’s footballing prowess and he will also be a seamless fit at Real, signing him now, at the age of 28, would mean the club shelling a lot of money in return for only two to three peak years. While it would be unfair to totally rule out a move, the club should only consider Hazard as a fall-back option. [caption id="" align="alignnone" width="600"] 31st March 2019, Cardiff City Stadium, Cardiff, Wales; EPL Premier League football, Cardiff City versus Chelsea; Eden Hazard of Chelsea looks back at a missed chance. Photo: Getty[/caption] Moving on, Paris Saint-Germain’s (PSG) Kylian Mbappe, despite being an ideal solution to Real Madrid’s goal scoring troubles, is a long shot considering his massive price tag. Although there are plenty of rumours in the transfer market regarding his move to Spain, the French club will go all out to keep the 20-year-old star at the club, keeping in mind the fact that he is at the core of their European ambitions. [caption id="" align="alignnone" width="600"] Kylian Mbappe of PSG celebrates a goal during the Ligue 1 match between Paris Saint Germain and Guingamp at Parc des Princes on January 19, 2019 in Paris, France. Photo: Getty[/caption] Taking into account all the factors and realistic options available on the market, Real Madrid will be better off if they work on the lines of signing Liverpool’s Sadio Mane and Inter Milan’s Mauro Icardi. Mane’s pace and technical ability has been part and parcel of Liverpool’s success in the past couple of seasons, and he will add a lot of potency to Real Madrid’s attack. Although he has played mostly as a winger for The Reds, if need be, he can play in a more central role as a striker as well. In Mane, Madrid will find a willing worker, who can track back and help out with defence and also link up well with Marcelo Vieira on the left wing. [caption id="" align="alignnone" width="600"] Sadio Mane of Liverpool FC runs with the ball during the Premier League match between Liverpool FC and Tottenham Hotspur at Anfield on March 31, 2019 in Liverpool, United Kingdom. Photo: Getty[/caption] On the other hand, Icardi has stacked up some great numbers for his Italian club with his lethal finishing. He may not participate much in build-up play but his positioning and movement in front of the goal is particularly impressive. Real Madrid have been guilty of creating lots of chances but not converting them during the ongoing season, but Icardi’s signing should go a long way in changing that. [caption id="" align="alignnone" width="600"] Mauro Icardi of FC Internazionale scores the second goal during the Serie A match betweenGenoa CFC and FC Internazionale at Stadio Luigi Ferraris on April 3, 2019 in Genoa, Italy. Photo: Getty[/caption] To Madrid and Zidane’s advantage, being knocked out of the title race on all fronts is somewhat a blessing in disguise, as it gives them additional time to plan for the future. But the 13-time European Champions will have to be clever with the way they go about their business in the transfer market, before it builds up more scar tissue against their name as a formidable force in the world of football.

The United States has introduced a United Nations Security Council (UNSC) resolution to blacklist Masood Azhar as an international terrorist. Azhar is the leader of Jaish-e-Mohammed (banned in Pakistan since 2002) and has been blamed by India for masterminding February’s Pulwama incident, even though no evidence has been produced which links Azhar to the incident. China has refused to list Azhar as an international terrorist after careful consideration of the definition of international terrorism according to international law. China has made this position absolutely clear and as such, it would appear that the US is looking to transform the UNSC into a place of high stakes geopolitical theatre, because China’s veto of the US resolution is inevitable. The US therefore is using the internationally immaterial issue of Azhar in order to provoke tensions between China and India at a time when the ruling Bharatiya Janata Party (BJP) is already invoking blood-curdling Sinophobia in further attempts to rally the jingoist Hindutva vote. But this is not all that the US is doing. Washington is also provoking and in fact insulting Pakistan by suggesting that a local matter is worthy of wasting the UN’s time, even after one of the permanent members of the Security Council has made its position unambiguous. As if on cue, India’s jingoistic media kicked into high gear suggesting war against China. Meanwhile, members of the BJP and the Rashtriya Swayamsevak Sangh (RSS) continue to call for a boycotting of Chinese goods. When it comes to Pakistan however, America’s willingness to inflate the international importance of Azhar makes it clear that the US is willing to risk productive relations with Pakistan in order to both placate India and to goad India into an even more extreme position vis-a-vis China (not that the BJP needs much help in this respect). Although the US has admitted that Pakistan’s role in the Afghan peace process is crucial, beyond this, the US has clearly made its decision in terms of a long term strategy in South Asia. While some US diplomats will feign attempts at a balanced South Asia policy, the reality is that India is now a key US strategic partner. US diplomats at the UN will happily do India’s bidding, even over a matter as absurd as trying to convince the world that Azhar is an international terrorist when legal precedent says otherwise. Pakistan must adjust its own expectations accordingly. While it would be imprudent for Pakistan to provoke any superpower, the message that Washington is not so subtly sending is that when it comes to a superpower partner, China is the singular key to Pakistan’s prosperous future, while the US is becoming little more than a puppet master helping direct flagrant Indian aggression against China. This is all the more reason for Pakistan to take a more assertive role in the Afghan peace process. As the country most directly affected by Afghanistan’s prolonged status as a failed state, Pakistan has no excuse not to emerge as an international leader in driving forward an all-parties peace process. Any idea that Pakistan should merely shadow the US in respect of the peace process should now be put to rest, as it is clear that the US has India’s strategic desires at heart and that, by comparison, Pakistan’s security needs come a very distant second or even third. The reality Pakistan must now face is that whilst America’s priorities in the South Asia during the 80’s related to containing Afghanistan to the West and the Soviet Union to the North, today the US is squarely focused on provoking China and for this, India will remain a key ally of Washington. All that Pakistan must now do is acclimate itself to a new reality where China’s all-weather friendship will grow in stature and material importance while the US will be willing to insult, debase and ignore Pakistan as though the events of the 80’s never occurred. This post was originally published here.

Following the Marvel path, The Conjuring universe has grown steadily over the last six years through both, the increasing returns that most films in the franchise have delivered and in stature through the critical acclaim that the first two Conjuring movies received. Now five movies in, the franchise is showing no signs of slowing down with a third Conjuring film already set for 2020. But before that, we’re getting another Annabelle movie. And this one promises to be much different than its predecessors. [caption id="attachment_81026" align="alignnone" width="600"] Photo: IMDb[/caption] Annabelle Comes Home, which will serve as the sixth film in the Conjuring franchise and the third Annabelle film, does not take the prequel route like Annabelle: Creation did. Unlike the first Annabelle, which was widely panned for being a rudderless and aimless production, this film shifts the focus directly towards the Warren family – the paranormal investigators played by Patrick Wilson and Vera Farmiga who served as the protagonists of the first two Conjuring films. [caption id="attachment_81027" align="alignnone" width="600"] Photo: IMDb[/caption] The first trailer, which came out recently, sprinkles a handful of jump-scares throughout its two and a half minute runtime and the film more or less appears to centre on an artefact room where the Warrens keep the demonic doll. However, soon enough the doll begins turning up in strange places and much to the surprise of the Warrens, so do the other artefacts. The weight of this is felt by the Warren’s 10-year-old daughter, Judy, and her friends who seem to be at the centre of the latest Conjuring film. [caption id="attachment_81024" align="alignnone" width="598"] Photo: IMDb[/caption] By all accounts, Annabelle Comes Home seems like a much more small-scale film as compared to its predecessors which were much more expansive in scope. And though the Warrens are back, they don’t seem to have a central role in the film in the same way as their daughter does. This is promising because it means that perhaps this time the focus will be on a tightly-constructed narrative, which is where horror films work best. [caption id="" align="alignnone" width="600"] Photo: Screenshot[/caption] As evidenced by the trailer, it’s perhaps also safe to assume that this film won’t just be about the titular doll but will also focus on some of the other haunted artefacts in the Warren family’s possession which, if anything, may provide the producers with a few more ideas for some future spin-offs. In the context of this film though, it will undoubtedly add to the scares. This is something that producer James Wan has confirmed when he essentially described the film as being Night at the Museum with an evil doll because of the various haunted artefacts that will be activated in the film. [caption id="attachment_81031" align="alignnone" width="600"] Photo: IMDb[/caption] The good thing is that Annabelle Comes Home seems to channel all the elements that have made the Conjuring franchise such a big success, which provides the viewer with something to look forward to. After straying away from the central narrative and focusing on aimless origin stories, the franchise seems to have finally learned its lesson. With Annabelle Comes Home, the focus seems to have been shifted back towards the scares and, in a blatant but smart bit of fan-service, the filmmakers have brought back two of the franchise’s most beloved characters, even if it’s in a supporting capacity. That said, only time will tell if the latest installment in the Annabelle saga matches up to the Conjuring movies, which at present, stand head and shoulders above the other films in the franchise. [caption id="" align="alignnone" width="600"] Photo: Screenshot[/caption] Annabelle Comes Home hits cinemas on June 28, 2019.

“Our message is stronger than ever. Please stop the fighting. Please stop the killing. Please drop your guns.” Juan Antonio Samaranch, President International Olympic Committee speaking at the Winter Olympics, 1994. The sports arena has often been used in modern-day diplomacy to advocate for peace, but it has also been used to aggravate existing conflict. George Orwell wrote in The Sporting Spirit (1945) that sports is “war, minus the shooting” and has the potential to bring out the worst characteristics of nationalism. How that is controlled, or even amplified, is in the hands of those who hold the political controls. In the days following the Pulwama incident, tensions once again began to escalate between Pakistan and India. While India’s very first reaction was the imposition of a heavy economic sanction, many of the responses which followed came in the form of sports sanctions, primarily impacting something very close to the hearts of people on both sides: cricket. The fourth edition of the Pakistan Super League (PSL) became the primary target of the increasing hostility and vitriol. Prominent Indian-owned media companies and broadcasters, including IMG Reliance, D Sports and CricBuzz, terminated their contracts and coverage of the tournament, leading to a virtual PSL blackout in India. The Board of Control for Cricket in India (BCCI) also came under extraordinary pressure from prominent Indian sporting personalities, media outlets and ordinary citizens, to boycott the upcoming Pakistan-India match at the cricket World Cup (June 2019). https://twitter.com/YusufDFI/status/1097384109200928768 https://twitter.com/MinhazMerchant/status/1099007211689467906 Outside of cricket, other sports have also been effected. It is suggested that Pakistan supplies 90% of the hockey sticks used in India, and would suffer heavily from an increase in customs duty of 200%. As a result, the hockey fraternity in India would have to quickly find new suppliers who could match the demand, as well as replicate the quality from across the border. The Shooting World Cup, which was taking place in New Delhi a week after the attack and was intended to be an Olympic qualifier, also got dragged into the conflict when Pakistani athletes were not granted visas to participate in the tournament. Further economic sanctions would come later, followed by military responses, but it appears that the use of sports sanctions was going to kick start this ‘Operation Isolation’. However, these sanctions did not prove to be effective in isolating Pakistan on the sports field. We saw the PSL replace its distributors almost immediately and have yet another successful edition. Regarding the World Cup, wide coverage of the discussions between the BCCI and the International Cricket Council (ICC) were made public, including copies of the communication between the two bodies. It is clear that the ICC and the organising team of the World Cup do not condone any political battles being played out on the cricket pitch. https://twitter.com/TimesNow/status/1098065107693625344 Perhaps the most surprising stance came from the International Olympic Committee (IOC) in response to Pakistan’s plea regarding the Shooting World Cup. Not only did the IOC revoke the tournament of its Olympic qualification status for the particular discipline, they further went onto suspend all discussions with the Indian government regarding hosting future sporting events in India. The IOC also recommended that all international federations should refrain from hosting any international sporting events in India until written guarantees are provided assuring participation of all athletes. This may prove to be a landmark ruling from the Olympic governing body, which has traditionally not taken such a publicly strong stance on political matters. This is especially true as the initial plea was only to do with the shooting event. However, India is no doubt going to work to revoke this suspension as quickly as possible, even if it means salvaging its ties with Pakistan. Failure to do so could mean that a number of its hosting rights and bids would be up on the chopping block, including the FIFA Under-20 Women’s World Cup (2020), the Hockey World Cup (2022/2023) and ICC Cricket World Cup (2023), among others. https://twitter.com/mehreenzahra/status/1098830460862558208?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1098830460862558208&ref_url=https%3A%2F%2Fblogsdesk.tribune.com.pk%2Fapplication%2Fwp-admin%2Fpost.php%3Fpost%3D80906%26action%3Dedit This of course is not the first time tensions have escalated between the two neighbours, nor is it the first time that the field of play is used for sanctions to be deployed and political statements to be made. India-Pakistan cricket relations have been turbulent ever since they kicked off in 1952. There have been many positive outcomes where both countries have hosted each other on multiple occasions and opened up their borders for citizens to travel in support of their teams. At the same time, boycotts from governing bodies and protests from ordinary citizens have also had the opposite impact on cricket and other sporting ties between the two nations. The Indian cricket tour to Pakistan (2004) is considered as one of the four most prominent acts of sports diplomacy, with the ‘Christmas Truce’ of World War I (1914), where German and British soldiers were said to have held informal sessions of casual football on Christmas day, being number one. Even outside of the subcontinent, sports have always been a feature of international diplomacy, albeit a more subtle one. We have seen countless protests and boycotts when it comes to international sports, such as the Black Power Salute (at the 1968 Olympics), America’s boycott of the 1980 Olympics during the Cold War, the Soviet Union’s boycott of the 1984 Olympics, and the international sporting boycott of Apartheid South Africa. However, it would not have been difficult to foresee the potential for sports to have these impacts when the Olympic movement was first initiated. After all, it was developed on the sole idea of using sports to encourage and improve peace among the warring kingdoms in Ancient Greece. The way international sports are conducted and covered today, indicates their potential and ability to bridge gaps between nations. With massive potential to be used as a catalyst in international diplomacy and break barriers, the power of sports can only be as strong as the will and commitment of our global leaders. In an era where hard power is frowned upon by the international community, governments are increasingly inclined to use alternative modes of diplomacy, sports included, to achieve their political goals and shape their international image. If we, the people, can understand the relationship between the two, then we can also influence its impact. This isn’t the first time sports have been used to convey and act upon undertones of conflict and hate, and it unfortunately won’t be the last. For now, we can be aware of how these actions relating to the field of play can be used to condition or influence certain emotions within us, and also pray that our leaders use the pitches and courts to help us come together, rather than to push us apart.

The sky was a pool of black ink, dusted with stars at midnight. Arsh looked out from the window — she saw many little streets sprawled out below. She had only known these streets from inside the walls of her room. She had never walked on them. She had never been under the open sky. She looked at these streets longingly. To her, these streets and everything else of the outside world was a distant dream. Arsh was thinking about him. He came again tonight. Her caramel skin flushed bright pink as he folded her into his arms. Her heart fluttered as his fingertips grazed her bare skin. She had never felt so close to a man before. Over the years, many men held her, touched her, felt her — but he was different from all the others. She fell in love with him. She waited for him each night. She longed for him, as any lover would. On the nights he didn’t come, she was restless. She waited for him till she saw him next, till he told her how beautiful she was. As she stood by the window and watched darkness engulf the sky, she decided she’d tell him what she felt for him. Maybe he’d take her away somewhere far. Maybe he’d relieve her of this life. Overhead, a star blinked in the dark sky, as if telling her it was time. The morning sun filled the brothel. It was bright inside. Arsh slipped into plain white clothes and went downstairs. The morning is always bright. It’s the night that’s dark. It’s always the night that’s dark. “Arsh!” Farnaz called, with a cigarette clenched in the corner of her mouth. “You look happy! I’ve never seen a bigger smile on your face.” “I’m going away,” Arsh said in low voice, so that nobody else could hear. Farnaz laughed. But then her eyes were suddenly wide with concern, and her skin shone pale under the gleam of sunlight. “You know you can’t go away,” Farnaz said quietly. Arsh smiled in reply and bustled away. The rest of the day, she was tangled in her thoughts. She didn’t even know his name but she knew he was the one who’d save her. The world glittered with promise. “Take me away!” Arsh whispered into his ear. There was a steely glint in his eyes. “Please take me away!” Arsh’s voice crackled at the edges. He slapped her so hard her teeth rattled. “You’re a whore,” he spat. Arsh swallowed everything else that she had to say. The words dried up in her throat. It was near dawn but Arsh was wide awake. She looked into the mirror, her dark eyes sunken in an ashen face, stared back at her. Her lips were stained in a dark, blood-like red. Her hair, black and velvety like the sky at midnight, carelessly tumbled down her back. Her angarkha, heavily embroidered in gold and silver threads, danced around her when she moved. 'A whore,' she thought. She felt sparks of resentment cascading in her as she looked at herself. She felt angry. But then her anger melted and she started crying. And as a tear caught in her lip, she realised her lipstick was smudged at the corners. His words filled her head. They were sharp, piercing—they cut through her like knives. Even after he left, the word ‘whore’ twisted inside her. It crushed her. It tinted her entire existence. It was a small word but it encompassed a bitter world — a whore’s world. Arsh had endured years of abuse. There were different men in her bed each night. They treated her like an object. They used her and then discarded her. She was perceived as an unthinking, unfeeling being. Her existence only sparkled in the dark hours of the night. They forgot she was human too. She looked at the faded sky from the window. She spread out her hand towards the sky, trying to reach for it. It was close but far away. Maybe just like the man who she thought would save her. Khudkushi (suicide). The word echoed against the big, bare walls of the brothel. Its weight settled on all women who lived inside. It grew heavier and heavier, thicker and thicker, folding them in, needling them all over. It hung in the air, sharp and poisonous. 'Khudkushi,' they murmured in small voices, afraid not to say it out too loud. They didn’t want anyone else to hear. A silence spread in the brothel, full of fear and anticipation. It was suddenly dark inside, and empty despite the people. Outside, the day shifted from morning to night. And the air smelled of earth and ash and rain. And faintly of death. Arsh took away her life. She cut her wrists and bled to death. For her, death wasn’t just an end—it held meaning. It meant freedom. It meant floating somewhere far, untethered. It meant relief from a corseted existence. Khudkushi became Arsh’s freedom. She finally fled from a life she did not want to live.

I was recently invited to a trip to Iran and Iraq by a group of close friends from Lahore, and as I had never been to these states before, I decided to take the opportunity to visit the shrines frequented mostly by Shia pilgrims. After all, how else was I going to be able to travel through war-torn Iraq (where the Islamic State has only recently been defeated) and gain access to the heavily sanctioned country of Iran? Mesopotamia – the cradle of civilisation and home to many Imams of the Islamic world – has been off-limits to most ordinary tourists since the days of Saddam Hussein. We took off from Lahore and a few hours later found ourselves landing in Baghdad, the famed city of The Arabian Nights. The airport was small and run-down, and we had to wait for at least two to three hours for our group visa to be cleared. We waited patiently and entered Baghdad at dusk; there were palm trees galore and the roads were smooth enough. Our excitement was mounting as we headed straight for the illuminating shrine of Ghous Pak (Sheikh Abdul Qadir Jilani). We paid our respects at the beautifully lit white shrine, ate the delicious langar (communal meal) of rice and chicken (provided by a Pakistani family from Faisalabad) and then headed to our hotel. We felt more than welcomed to a city founded on the west bank of the Tigris in 762AD by the Abbasid dynasty. [caption id="" align="alignnone" width="600"] The beautifully illuminated shrine of Ghous Pak[/caption] [caption id="" align="alignnone" width="450"] The door to his shrine[/caption] [caption id="" align="alignnone" width="419"] His final resting place[/caption] We stayed at Hotel Palestine, which is located near the ancient Tigris River, with a colourful history of its own; it was a favourite among foreign journalists during the Gulf wars and had been shelled! [caption id="" align="alignnone" width="600"] View of the Tigris River from Hotel Palestine[/caption] There are roadblocks all over Iraq and paramilitary forces with armoured vehicles can be seen on all major roundabouts. The receptionist at our hotel smiled and clapped joyfully when she discovered we were Pakistani and gave us comfortable rooms (our recent military standoff seems to have made them happy). Baghdad looks like it is stuck in an 80's time warp – the buildings all seem to be from that era. However, most of the debris from the bombed-out infrastructure has been removed. We found it to be a bustling city with crowded restaurants and bad traffic jams. We crossed the Tigris River many times, the last one being to visit the shrine of Persian mystic Mansur al Hallaj. He is known for his saying, “I am the Truth”, which many saw as a claim to divinity resulting in his execution, while others saw it as an instance of annihilation of the ego. [caption id="" align="alignnone" width="450"] The tomb of the Persian mystic[/caption] We also visited the burial place of Abu Hanifa, the founder of the Hanafi school of Sunni jurisprudence. However, the highlight of our Baghdad stay was the visit to the north of the city to Kazmain, where Imams Musa al Kazim (AS) and Muhammad al Jawad (AS), both direct descendants of the Prophet (PBUH), are buried. [caption id="" align="alignnone" width="600"] Outside the Ziyarat of the Kazmain Imams in Baghdad[/caption] This is a world famous shrine and one of the most important mosques in the Islamic world, with a huge gilded dome and four minarets rising above its courtyard, all covered with gold, Kufic inscriptions. There are canopied balconies, mirror mosaics, glazed tiles, and endless floors of marble. The final resting places of all the Imams buried in Iraq, we were to discover, were equally awe-inspiring. The shrine was very crowded during our visit and there was a long walk to it as it has been bombed in the past, which is why the nearby streets had been cordoned off. [caption id="" align="alignnone" width="600"] Armoured vehicles and soldiers guarding shrines are a common sight in Baghdad[/caption] The other highlight of our Baghdad visit was to the 2,000-year-old Persian monument Taq Kasra, or Arch of Ctesiphon, the world’s largest brick vault. Somehow it has survived all the recent wars and is truly a sight to see, given its immense scale and elegance. Taq Kasra is located near the shrine of Salman al Farsi (RA), a companion of the Prophet Muhammad (PBUH) and the first Persian to convert to Islam. [caption id="" align="alignnone" width="450"] Taq Kasra[/caption] On our last day in Baghdad, we headed to the ancient town of Samarra to visit the 10th and 11th Imams, Ali al Hadi (AS) and his son Hasan al Askari (AS). Both are buried in a heavily-guarded shrine, which has been bombed twice in recent years and had to be rebuilt. Adjacent to the mosque is another domed building built over the cistern where the 12th Imam, Muhammad al Mahdi (AS), disappeared; hence the title of the Mahdi, the Hidden Imam. [caption id="" align="alignnone" width="600"] The last place Imam Mahdi was seen[/caption] We were sorry to leave Baghdad – there was much to see and such little time – but we had to move on to Karbala, where rain greeted us. Powerful energy emanates from this city, the burial place of Imam Hussain (RA), the grandson of Prophet Muhammad (PBUH), near the place where he was martyred during the Battle of Karbala in 680AD. Within the shrine of Imam Hussain (RA), we found the mass grave of all 72 martyrs of Karbala who fought and died alongside him, despite the heavy odds they faced. We soon joined the thousands of people jostling to enter the Ziyarat. Opposite is the shrine of his brother, Hazrat Abbas (AS), who was also martyred during the Battle of Karbala by Yazid’s men while bringing some water from the Euphrates River for the Prophet’s (PBUH) family. There is a lovely walkway lined with palm trees between the two shrines, and we often went there to sit and pray as our hotel was nearby. [caption id="" align="alignnone" width="600"] Hazrat Abbas (AS) shrine glistening as the sun sets in Karbala with the walkway in front[/caption] Our next stop was Najaf, and luckily our hotel was located right next to my favourite Ziyarat: Imam Ali’s (RA) resplendent shrine. He is considered the father of Sufism, as almost all Sufi orders claim their descent from him. [caption id="" align="alignnone" width="450"] Imam Ali's (RA) shrine in Najaf[/caption] [caption id="" align="alignnone" width="450"] The entrance to the shrine[/caption] After visiting his peaceful shrine, we went to Kufa to see the great mosque, one of the oldest in the world, where Hazrat Ali (RA) was struck by a poisoned sword and passed away after two days. We visited his simple but elegant house next to the mosque (thankfully preserved by the Iraqi government) where his body was washed before being buried in secret. Imam Ali (RA) had earlier dug a well in his house and even today one can drink its healing waters. [caption id="" align="alignnone" width="600"] The Great Mosque of Kufa[/caption] [caption id="" align="alignnone" width="600"] The house in Kufa has been preserved by the Iraqi government[/caption] Our final stop was the city of Mashad in Iran, home of the eighth Imam, Hazrat Ali Reza (AS), whose shrine is really the heart of the city – all roads lead to his Ziyarat! We took a short flight from Najaf to Mashad, which is the second most populous city in Iran. Mashad means the place of martyrdom; Imam Reza (AS) was poisoned by Caliph al Ma’mun. A fact I learned during my journey is that none of the Imams lived to an old age – all were poisoned or assassinated. Imam Reza’s (AS) ornate shrine is enormous, with its many courtyards and mosques, and is considered the Vatican of Iran, run in an efficient and orderly manner. It is also gorgeous, with its Persian carpets and crystal chandeliers galore. We were lucky enough to eat from the shrine’s famous langar and enjoyed the Imam’s hospitality! [caption id="" align="alignnone" width="600"] The underground crypt where people can pray and meditate[/caption] Mashad is a clean, modern city, and feels like it could be anywhere in Europe, except all the women wear long black chadors. Before we knew it, our visit was over, and tired but rejuvenated we found ourselves on the plane back to Lahore. There were so many memories to treasure and so many adventures to retell. Iraq is slowly recovering from war and getting back on its feet, and I would recommend everyone to go visit this fascinating country alongside Iran, regardless of your religious beliefs. As we were told wherever we went, “Ziyarat qubool.” (May your pilgrimage be accepted) (All photos by author)

In the post-modern world, the topography of the city has undergone a drastic shift. Rapid urbanisation and growing job opportunities have resulted in many cities in the developing world being swamped by an increasing number of people coming in from the villages and suburbs. In order to accommodate this burgeoning populace, the intrinsic structure of the modern metropolis has had to evolve. Countries such as India and Pakistan have had to grapple with the dual ambitions of wanting to urbanise their cities while also wanting to hold onto their rich architectural heritage. The complex history of a multi-ethnic country such as Pakistan has been razed to the ground in order to erect soulless towers to replace the colonial monuments which have served as a reminder of our turbulent past. [caption id="attachment_81733" align="alignnone" width="600"] Heritage building encroached on by local traders at Jamia masjid road.[/caption] Rawalpindi is an example of a city wrestling with these two seemingly dichotomous aims. On the outskirts of the Rehmanabad Metro station lie some old houses with large verandas and an edifice which is almost reminiscent of the homes in Downtown Abbey. Erected in the early 1960’s, they adorned the city with their marvellous porticos and the locality came to be known as Satellite Town. During the time that Islamabad was being built as the nation’s new capital, Satellite Town functioned as a diplomatic enclave of sorts, with many embassies located there. The Victorian-style houses were thus built to accommodate foreign dignitaries residing in the city. [caption id="attachment_81748" align="alignnone" width="600"] A night view of Jamia Masjid Rawalpindi which was founded in 1905.[/caption] Over the years, however, as Islamabad became the diplomatic hub, Satellite Town found itself shrinking in importance, and the neighbourhood was consumed by a city which was expanding at an unprecedented rate. The old houses of the locality now stand like ghostly relics of the past. [caption id="attachment_81678" align="alignnone" width="452"] Chan bazaar, Rawalpindi.[/caption] [caption id="attachment_81734" align="alignnone" width="450"] A view of Raja Bazaar road.[/caption] In a house on Sadiqabad road lives an old engineer who has closed the gates of his house, along with his heart, to the outside world. The resident is Afzaal Ahmad, a man who comes from a distinguished family of army personnel. While looking at his old photographs, Ahmad recounts: “The Rawalpindi I was raised in was a marvel, an image straight from the British calendars. Smooth clean roads, small markets, coffee shops along with a nice book shop (London Books company), low traffic and an orderly crowd.” [caption id="attachment_81736" align="alignnone" width="600"] The main entrance of the Afzaal Ahmad's house.[/caption] [caption id="attachment_81737" align="alignnone" width="600"] Old magazine ads from the collection of Afzaal Ahmad.[/caption] [caption id="attachment_81745" align="alignnone" width="600"] Rawalpindi's Kashmir Road in the 1960's. From the records of Afzaal Ahmad.[/caption] The markets at the time were quite small and there was only one major road in Saddar at the time, Mall Road, which catered to everyone's needs. Ahmad recalls that the famous road had a hairdresser, a laundry shop and few clothing outlets as well. He adds: “I remember most of my classmates in Station school were British or Anglo-Indians. Anglo-Indians were considered to be the most educated after the British. I still remember this one Anglo-Indian traffic sergeant who used to roam around alone on Murree road. People were so afraid of his discipline that they wouldn’t cross the road until he had gone away.” [caption id="attachment_81738" align="alignnone" width="600"] Backyard of the house.[/caption] [caption id="attachment_81743" align="alignnone" width="600"] An old building occupied by partition migrants in Saddar.[/caption] For Ahmad’s generation, and the ones which followed, things took a downward turn after Zulfiqar Ali Bhutto came to power. Fearing the consequences of nationalisation and increasing religiosity, many foreigners fled the country. The Anglo-Indians too fell prey to this and many migrated to America and Australia. The resultant vacuum gave rise to a new emerging class of locals who had a different mentality. They were hungry to tear down the old to make way for the new. [caption id="attachment_81744" align="alignnone" width="338"] An old temple in miserable condition in Moti Bazaar.[/caption] [caption id="attachment_81749" align="alignnone" width="475"] A name plate outside a house in Dhakki mohallah, Angat Pura.[/caption] Rawalpindi as a city has always had a storied history. Punjab has been ruled by Graeco-Bactrian Kings and later by the Sakas, Iranian nomads, and in 1765 Sardar Gujjar Singh controlled the area which is now called Rawalpindi. The city remained under Sikh rule till 1849 when it was taken over by the British. Hence, this land has had many identities, and one can find linkages to an extraordinary past through the city’s buildings and districts. [caption id="attachment_81679" align="alignnone" width="600"] A view of Moti bazaar, Rawalpindi.[/caption] Despite the removal of the Sikh Raj, the Sikh community remained an integral part of the cultural fabric of Rawalpindi till 1947. Their remnants are still visible in Kartarpura, Angatpura, Arjun Nagar, Mukha Singh state, Old Banni and adjoining areas. The city was predominantly influenced by Rai Bahadur Sujan Singh whose haveli (house) still stands in the old Bhabra Bazaar. Rawalpindi at one point in time was a jewel, a unique blend of both old and new architecture. Over the years, people that have been allotted these vacant properties have damaged them due to sheer negligence, and today these buildings are but a shadowy reflection of their former glory. [caption id="attachment_81739" align="alignnone" width="600"] An old pre-partition haveli in Saidpuri gate trying to save its colors from the wrath of the modern age.[/caption] [caption id="attachment_81741" align="alignnone" width="600"] A colonial style balcony on College Road, where famous Indian actor Balraj Sahini grew up.[/caption] Rawalpindi today is a chaotic labyrinth. Building laws and municipal regulations are virtually non-existent. Politicians and profit-driven land owners have given local municipal authorities the approval to demolish heritage buildings and sites. Commercialisation has trumped heritage. Heretics have squashed history. Rawalpindi still has the potential to become the epicentre of regional heritage, but only if preservation work is begun immediately. Today, the view from the metro bus offers a gloomy look at a frenzied skyline onto a city which does not know what it wants to be because it has forgotten what it once was. (All photos by author)

It had been some time since I cried while reading a book. And A Place for Us changed that. Fatima Farheen Mirza’s dazzling debut novel tells the story of a South Asian Muslim family living in America. The family members find themselves torn between discovering their individual selves, while also grappling with their respective roles within the family. As a result of living in a deeply polarised American society, the characters in the novel are in a constant battle with themselves, their family and the world around them, each looking to find relevance, liberty and peace. Interestingly, one of the main talking points with regards to this book has been Sarah Jessica Parker's involvement in its publication. The Sexy and the City star chose Mirza’s novel as the first book to be published under the Parker imprint for Hogarth publications. A Place for Us begins at the wedding celebrations for the family’s eldest daughter, Hadia, in California. The occasion, however, is made all the more special due to the youngest child and only son, Amar, coming back home after having fled three years ago. The story thus revolves around the circumstances which led to Amar’s estrangement from the family and the narrative is interspersed with memories from the parents, Rafiq and Layla, and their children, Hadia, Huda and Amar. What I found particularly inventive about the narrative was how the story unfolds through the point of view of a host of different characters, with the same memory often being shown through different perspectives. We are thus able to see how the same moment impacted each member of the family in a wholly unique manner. Mirza beautifully brings to light the nature of familial love, which can be limitless and unwavering, but also envious and petty. The depiction often seems like that of a typical diaspora family, with parents trying desperately to instil both Muslim and South Asian values in their children and encouraging them to speak their native language at home. The author explores the subtle dynamics of the household, from the siblings safeguarding each other’s secrets, to the family following Islamic rituals and customs like fasting in the month of Ramazan and observing Muharram. But that’s just the feel-good part of the book. What is heart-wrenching, poignant, and particularly relevant for our part of the world is how Mirza explores the pressure parents tend to put on their children. South Asian parents often have their own expectations from their children, insisting that they must be obedient, unquestioning Muslims and top performing students who go on to become either doctors, engineers, lawyers or entrepreneurs. The novel attempts to illuminate how pitting children against one another, failing to acknowledge past mistakes and the inability to express love can tear a family apart. Hence, when Amar leaves, a part of Rafiq and Layla’s souls also leaves. But by then it’s too late to mend their broken ways. Perhaps the saddest thing in the world is to see your child leave you because of your own mistakes. Not feeling at home with your own family is a tragedy, one which Mirza renders beautifully on the page. And so, I cried when the family was torn apart because of secrets, betrayals, and the smallest of estrangements which could no longer be brushed under the carpet. The last section of the book, told from Rafiq’s perspective, is absolutely devastating. The feelings of an emotionally-reserved father, who falls prey to his own shortcomings, are expressed in a remarkably raw and affecting manner, which is quite an achievement for a debutant writer. Mirza has done a truly commendable job at penning down the story of a family over decades, and it is no surprise that her novel has received great critical acclaim. The recurrent themes of children trying to find their own identity and parents trying to protect and understand their children resonate at a deep level. After this stellar debut, one hopes that Mirza is able to pack the same amount of authenticity into her next novel, one which I am eagerly awaiting.

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